My new camera… God help me… is a…

I’m almost afraid to say the words in public.

Remember, for years and years I’ve been (and still am)  a loyal Nikon man.  From my Coolpix 800 to my D70 to my current D700, as well as my Nikkormat FTn for my 35mm shots (my Kiev-19 is now resting comfortably on my shelf, enjoying a peaceful retirement), I have been a devotee to the heart of the image.

And over the years, I’ve learned to keep things like chromatic aberrations and light leaks and double exposures out of my photographs.

But over time, I’ve seen some arguably innovative photography techniques – as generated by a little Chinese toy camera.  A toy camera with a plastic lens that has two settings – F/8 and F/11, and F/8 isn’t completely functional.  A toy camera that takes 120 film, which you have to order special from B&H or Adorama or one of the other dedicated photography stores.  A toy camera that may have light leaks, could possess a tendency to not advance the frame, and can introduce chromatic aberrations and vignetting into the final image.

As photographers, this camera represents everything we’ve been told not to do.  And for some unknown reason, it’s not only being embraced, these mistakes – as directed through this camera – are being considered “happy accidents.”

That’s right.

I bought a Holga.

(covering head to avoid the bricks being thrown)

From rugift.com.

Essentially, I used my $50 Father’s Day gift card to B&H Photo (thanks, Cassaundra) to purchase something barely two levels above a disposable FunSaver camera.  I also purchased a manual shutter release from Amazon; and a 35mm adapter from a Hong Kong company called Superheadz.

I can hear it now.  What’s next, Chuck, you gonna hunt down an 80-year-old Beau Brownie camera?  Maybe you’re going to go all “Matthew Brady” and shoot some Civil War re-enactments with a Civil War-era camera?

Of course not.  I’m not ready to play with 126 film or glass plates yet… 🙂

But see, I have plans for this Holga.  There’s that whole “lomography” movement, which involves taking pictures by doing everything you’re NOT supposed to do.  Using expired film.  Putting the film in backwards.  Processing the film with the wrong processing technique.  It’s the photographic equivalent of combining musique concrète,
détournement and sound collage.

Even with all that, I’m still hesitant.  I’m still thinking that to get a decent shot out of a Holga, it almost seems the equivalent of getting a hole-in-one on a mini-golf course because your ball bounced off the fairway, ricocheted off a rock, bounced  back on the fairway, changed course when it caromed over a twig, and fell into the cup on its last gasp of inertia.  It would be like, “Hey, how did you get that way cool photo?”

With my Nikon D700, I can say, “ISO at 1600, f/stop at 2.8, aimed for the right fielder because I knew the left-handed batter had a tendency to pull toward right, fired in a burst of shots, and took the one where the outfielder leaped forward to catch the ball.”

With my Nikkormat FTn, I can say, “I positioned the camera on a tripod, used my cable shutter release, waited until nightfall, opened the lens, walked away for an hour, came back, closed the shutter, went from there.”

With this Holga, I’m probably going to say… “I don’t know… maybe the little Keebler Elves inside the camera made a pretty picture.”

But we shall see…