Sometimes it takes a rainy day just to let you know everything’s going to be all right. -Cris Williamson

Today’s headline is the first lyric of singer-songwriter Cris Williamson’s song Waterfall, from her legendary album The Changer and the Changed. Fifty years later, it still holds up today. And it’s kind of an inspiration for today’s blog, as I get back into making my cameras work for me. I need to make sure all…

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My Pentacon Six TL shoots its first rolls of infrared film

I already have one dedicated infrared camera – my black Nikon Df was converted to a full-spectrum infrared shooter some time ago, and it works like a charm. And I’ve also had some reasonable success with my new-to-me Pentacon Six TL medium-format film camera, it’s handled slide film and print film and B&W film like…

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Can my Pentacon Six TL handle a Saratoga, Corinth & Hudson Railroad shooting day?

This is the day. Pentacon Six TL “full debut day.” Because on this day, I am going to put this medium format East German camera through its paces. I’ve already run tests and trials … now let’s see if it can act like a camera that’s worthy of staying in my arsenal. I’ve packed several…

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The first test shots with my new-to-me Meyer-Optik Görlitz Orestegor/Pentacon f/5.6 500mm lens

So the Meyer-Optik Görlitz Orestegor f/5.6 500mm lens arrived last Monday night. And let me say something about this lens. IT IS BIG. It measures nearly 16 inches from camera to front element. And it’s HEAVY AS ANYTHING. I could do barbell curls with it. And that lens cap? It barely stays in place. I’m…

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Getting a Meyer-Optik Görlitz Orestegor/Pentacon f/5.6 500mm lens for my Pentacon Six TL

I’ve been pleasantly surprised with the photos coming from my new-to-me Pentacon Six TL medium format camera. The images are sharp, the chassis is strong, and I’m feeling more comfortable using this bad boy. So now I need to invest in some additional lenses. Because, honestly, the 80mm f/2.8 Carl Zeiss Jena Biometar kit lens…

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